VARIOUS

   I. ANECHOIC RECORDING PROGRAM   
1   MOZART: Overture - "Le Nozze di Figaro"   4:19
2   MENDELSSOHN: 4th mov. - Symphony No.3 in a minor, Op.56 "Scottish", bars 396-490   2:20
3   BIZET: Menuet - "L'Arlesienne" Suite No.2   4:13
4   Johann & Josef STRAUSS: Pizzicate-Polka   2:35
5   GLINKA: Overture - "Ruslan and Lyudmila"   5:22
6   VERDI: Prelude to Act 1 - "La Traviata"   3:27
7   BRUCKNER: 1st mov. - Symphony No.4 in E-flat major "Romantic", bars 517-573   1:41
8   DEBUSSY: Prelude a l'Apres-Midi d'un Faune, bars 1-20   1:55
   II. ANECHOICALLY RECORDED SAMPLES FOR EVALUATION   
9   HANDEL/HARTY: No.6 - Water Music Suite, bars 1-11   0:21
10   MOZART: Overture - "Le Nozze di Figaro", bars 1-18   0:16
11   BEETHOVEN: 4th mov. - Symphony No.9 in d minor, Op.125 "Choral", bars 1-7   0:10
12   BRAHMS: 1st mov. - Symphony No.4 in e minor, Op.98, bars 354- 362   0:17
13   BRUCKNER: 1st mov. - Symphony No.4 in E-flat major "Romantic", bars 560-573   0:28
14   TCHAIKOVSKY: 1st mov. - Symphony No.4 in f minor, Op.36, bars 1-6   0:20
15   MAHLER: 4th mov. - Symphony No.5, bars 1-3   0:25
16   DEBUSSY: Prelude a l'Apres-Midi d'un Faune, bars 1-3   0:22
   III. SAMPLES OF SOUND WITH SIMULATED REVERBERATION   
   (1) Mozart: Overture - "Le Nozze di Figaro", bars 1-18   
   (2) Bruckner: 1st mov. - Symphony No.4 in E-flat major "Romantic", bars 560-573   
   (3) Debussy: Prelude a L'Apres-Midi d'un Faune, bars 1-3   
   IV. INSTRUMENTAL COMBINATIONS AND SCORE-READING   
   BRAHMS: 1st mov. - Symphony No.4, bars 386-407   
   V. DIFFERENCES IN SOUND RECORDING METHOD   
   (1) MOZART: Overture - "Le Nozze di Figaro", bars 1-50   
   (2) BRUCKNER: 1st mov. - Symphony No.4 in E-flat   
   VI. TEST SIGNALS FOR MEASUREMENT OF ROOM ACOUSTICS   
45   1001 Hz Sine Wave Channel Check (L-R) -15dB   0:29
46   1001 Hz Sine Wave -l5dB   0:29
47   1 kHz, 5 Hz - 22.05 kHz Sweep -20dB   1:07
48   1001 Hz Toneburst (EIJ) 0dB   0:29
49   1001 Hz Toneburst (EIAJ) 0dB   0:29
50   Impulse I (I Sample) 100ms ±20% (random) cycle. 256times OdB   0:29
51   Impulse II (I Sample) 4S ±20% (random) cycle, 8times OdB   0:27
52   Pulsive Signal (40ms) 7S ±20% (random) cycle, 4times OdB   0:30
53   White Noise Uniformly distributed noise in the M-.sequence OdB   2:02
54   L: 25Hz, 31.5Hz, 40Hz -20dB / R: 31.5Hz -16dB   0:16
55   L: 50Hz, 63Hz, 80Hz -20dB / R: 63Hz -16dB   0:13
56   L: 100Hz, 125Hz, 160Hz -20dB / R: 125Hz -16dB   0:13
57   L: 200Hz, 250Hz, 315Hz -20dB / R: 250Hz -16dB   0:13
58   L: 400Hz, 500Hz, 630Hz -20dB / R: 500Hz -16dB   0:13
59   L: 800Hz, 1 KHz, 1.25KHz -20dB / R: 1 KHz -16dB   0:13
60   L: 1.6KHz, 2KHz, 2.5KHz -20dB / R: 2KHz -16dB   0:13
61   L: 3.15KHZ, 4KHz, 5KHz -20dB / R: 4KHz -16dB   0:13
62   L: 6.3KHz, 8KHz, lOKHz -20dB / R: 8KHz -16dB   0:13
63   L: 12.5KHZ, 16KHz, -20dB / R: 16KHZ -16dB   0:10
64   Pink Noise -14dB   0:27